nice price deal !!! pps work tends toward richly textured, dub-influenced sounds, these are built for the dancefloor on base of live instruments w/disco & post-rock. b f/adam marshall (killer, deep night, antenna) retooling the source w/the dj in mind. 4 very long tracks. ltd 500 w/screened covers

the megabomb from brothers incognito comes with a huge remix by a.k.a. derbe alias phunklarique & dejonka (hammerskjöld)! the remix sounds a little bite like a soundhack form aphex twin - windowlicker ... dont miss it!

nice price deal !!! 3 hauntinmg tracks where the thumpin basslines icey key layers and driving forward funk of soopa fi s best moments remind on a mix between steve bug minimal funkiness best phazin chicago grooves and uk nu school tech sounds. cristal clear foward dancefloor gear supereme kidz

multi vitamins gives birth to its third baby, mv 03: 4 tracks, 2 brains, conceiving some of the freshest and most forward thinking expressions in nowadays electronic dance music. sebastian russell leads you to some exotic, fascinating and still dopy territories. den adds some japanese folk to his cyber-minimal style. sebastian s misbehave breaks in with a reverberating crash and a rapping sample. to follow, while a low-fi soul penetrating bass line keeps the hips shaking, the combination of twisted mechanics, computer sounds with thirst-quenching vocals creates a mixed effect of drunkness and sensuality. sebastian s fusion of contrasting elements follows with chinese squid, where the warm melody of a canang ibu floats over a line of raw funked-up drums. den s sister 1 represents the most minimal piece of mv 03 dance output, characterised by a solid 4/4 bass kick, ultra filtered hi-hats and glitchy subtle electronic textures. n 23 to the beach is featured by a heavy slow-pi ched kick, spaced out with drills and chirurgical noises. a female vocal pattern kicks in humble, but after a hiccupping stage, the geisha is on fire

brill warm & deep detroit sounds

compost join in with the wolrd cup fever with this four tracker featuring a latino anthem from soul patrol on one side and tracks by harvey scales acres of grass and gino washington that are all about football on the flip

excellent 3 track ep from nick douglas here on wallop recordings with the label edging towards more electro based sounds than its usual plain progressive and tribal leanings

a piece of chicago music history moody old school synths adorn what sounds like the perfect blueprint of chicago drummachine jack work on both sides the marcus mixx originals are reworked into two brilliant and never before heard tracks courtesy of chicagos own legendary ron hardy recorded at the infamous head studios circa 1988 these tracks are magnificent examples of his legacy

on the a side, step back is an ultra fat minimal tune with both old school housy sounds and strong techno beat. the dark male vocal repeating step back won t leave your head for hours. on the flip side, bastien grine goes deeper on a mental trip. a fat bass line surrounded by clear floating sounds. he plays with stereo effects and we loose our mind … pure madness

atmospheric deephousetracks contained here acidic sounds hypnotizing chords and electro fied beats crop up everywhere

1999 classic release produced by san frandiscos iz (aka joshua/circulation) & chicagos dj diz this deep house anthem is a deep and soulful affair with dubby touches lovely live percussion and an hypnotic feel the satisfaction mix peps and steps things up a bit introducing a 303 bass a new female vox snippet sharper hi hats and a little more action in the mid range instrumentation for the last track the guys drop the tempo down and bring in some cheeky latin sounds and extra acid for an end of ep oddity that sounds like an acid disco track when cranked up to +8

in bester systematic manier gibt es hier keine innovation aber funktionalen elektro-techno mit acid sounds auf die glocke !!

die typische märtini brös sause, frische minimal tech house sounds gewürzt mit einem schuss electro pop

san fran producer john howard comes with wiggling, rolling snare-driven beats with mad percussive sounds bouncing in and out, a moody chord that cuts through like a knife, sparkling synth sounds on top and cut-up vocal snippets.. the b side is a favourite for derrick carter fans..

one of the loosest grooves around a freakily funky number that sounds retro whilst benefitting from the bands usual shimmering production hac favourite & disco king greg wilson delivers a stunning remix whilst on the flipside james priestley & dan berkson remix things into a techy house groover much better here in its new dub

canada s bombay imprint with a mesmerizing new outing from the montreal-based singer songwrtier harmonics. this four-tracker is heavy on the deep and trippy side, an essential release for the late nights and side room sets. a-side kicks offwith two mixes from sean dimitrie and nav bhinder, a spliffed-out midtempo percussive radio mix and a deep and dubby club mix. on the flip rise ashen and trevor walker both turn inmixes, each on the driving percussion tip with some nice layers of samples and sounds, and even a touch of brazil in there. tasteful, groovy goods

silversurfer delivers to ntrop >lay down< a hypnotic techno track filled with his known moving drum sets besides his psychotic sounds. to prove his diversity on the b-side comes >one step<, deep, ethereal but still thirsty

tigerskin produces us 2 techhouse tracks with fine electronic basslines and freaky sounds..

tigerskin produces us 2 techhouse tracks with fine electronic basslines and freaky sounds. a perfect track for the people who like deep sounds and long breaks

legendary series to be continued with 2 acts from the uk. first >cool cuts< releases have been much in demand, and peeps are still trying to get hold of them - if you are lucky! a side is a brilliant track by the b-siderz - in the vein of some more proper house sounding stuff with nice sublime guitars struggling their way thru 2 big breaks complemented with an pushing b line and sophisticated acid sounds in between. other side is our beloved ma saski from manchester with an already massive electro tinged primetime stomper. the guys from the >tribal gathering< camp play around with some b lines emphasising those little but most effectual breaks through a wicked male poetry. mind you, that tune goes on and on without getting lame - dj linus always starts his sets with that tune - big!

buzzin fly is still proving that its one of the uk s finest underground house labels with their finger firmly on that budging dance music pulse. they prove this perfectly here as they enlist the man of the moment ame to remix their already massive >insomnia< by rodamaal. the result is slightly more dancefloor orientated than ame s past releases with a thoroughly electronic sound whilst maintaining the deep foreboding sounds with the vocal. they have also enlightened us with a remix from the nova dream sequence (king britt) who tackles lephtee s >so far back<, he delivers a cunningly deep and spacey track with some powerful chords & a strong all round ambient feel

a mountain of one have revisited the 70s and 80s in order to plunder not the back catalogue of disco or punk but the sounds of talk talk fleetwood mac mike oldfield & the the

first 12inch on the re-launched farside label run by ingo sänger (westpark unit). matt flores follows up his big 12inch for compost s black label, once more he has worked with tyree cooper. bass heavy house in between early 90s house, detroit sounds..

avida perfectly fit in with a kind of underground music that was getting all the rage in italy in those days: nonsense music (musica demenziale). the structures were intentionally primitive, often made on cheap electronics. maurizio damis vocals , inspired on early 60s italian singers (to carry on and close the typical 20 years cycle of revivals), such as edoardo vianello, had an appealing mix of trash and humour. avida was essen tially a live band. their performances were a mix of theatre and music, where visuals played a major role. anyway, today some of that music still sounds interesting and not only due to its lyric. in our opinion about the best music alexander robotnik ever made

hartes chicago zeug, rockt jeden bunker, sounds wie sie green velvet nicht besser macht!!

4 track ep sounds like detroit & technasia tracks. the 1st sound architecture release is having great reactions and is being played by an impressive list of more deejays such as laurent garnier, sven väth, pascal feos, funk d void, king britt, charles siegling aka technasia and john thomas ...

3 of the best tracks of recent >yell< album by japans one man disco orchestra. a mad colourful brew of crazy, quirky otaku disco, kraut-rock references, jungle grooves, full-cinemascope soundtracks, exotic melodies & sounds and pothead humor..take a sip of the magic potion..

mariachi like vocals and groovy beats sounds crazy but this track is fun great use of traditional latin elements and vocals sure to move the floor the paranoid jack remix is a nice groovy 4x4 mix similar to the original but has a funkier bass line and synths you will groove the dance floor with this

no order is the title track and first single to be taken from 2020 soundsystem s debut album. the a side 2020soundsystem remix is a brilliant, epic mix in two parts - starting out mid paced electrofunk before morphing halfway into a berlin meets detroit meets new york techno disco odyssey. the discoteque dub is the first of two superb dub mixes, it takes the electro disco bassline and danny s rock solid beats to form the basis of an exceptional modern, italo influenced electro dub. the basics dub , as the name suggests, has been seriously road tested at the leeds underground institution back to basics and tips its hat to the sounds of classic chicago and new york house

spitzenmäßige 2 track ep , >cheap trick< ist ein wahres strobogewitter des sounds und >black sun< kickt in die minimale jackin chicago ecke !!

jens zimmermann s best record and strongest room 12inch so far. a masterpiece! pure innovation. minimal but with an immense strong impact on the floor. uses noises and sounds never been heard before on a club record. 10 of 10!

beluga on the a-side is a an exciting mixture of old school house elements paired with pumping modern electronic house sounds jacked up with sophistication, perhaps hence the name >beluga<? >strobe< on b1 is an hypnotizing minimal loopy groove-monster and >u-bahn< on b2 takes you on a ride through the berlin tube system. your sound wagon passes several break stations, soundwise and figuratively. gui chose this name because it reminds me of the movement of an u-bahn while in berlin 7 years ago

minimale sounds mit fetten pumperbeats versetzt, hot hot !!!!!

>dirty jay< on a1 is a mixture of steve bug and josh wink in one dirtbag. superfreak meets traffic signs. on the flip side we have two more old-school tracks, starting with >da shit< on b1. short synth bleeping repetitive sounds, a clear drum arrangement and an old school male voice-sample, these are the ingredients of this journey. finally >sophie< on b2 shows us this well-known oldschool dry bass, followed by a unintrusive atmospheric melody. all together will work on your floor very well !!

four oldskool elctro tracks nice voices great sounds fat scratches just enjoy

this promising single has already become the soundtrack of a tv commercial by a well known car brand and features an unmistakable blend of electromagnetic waves phase sounds merge perfectly with the old fashioned bass guitar played by the talented gabriele salvador and generate a unique musical contrast the track has such a power that it is easy to understand why volkswagen chose it for the launch of its fox this electro/house track will include three remix all of them feature a powerful sound that will penetrate peoples mind and turn into sheer energy

>short life< is a so to say old-school-hook with all those beautiful chicago-sounds, rolling over the clubfloor and absolutely done by a djs mind. on the flipside >dirty hairy< is walking late at night through sin-city, strolling around with some spooky sirens and at least there is no nites end… …for the likes of villalobos…supported by luciano, m.a.n.d.y., ali schwarz, tom clark & woody !!!

so this is some next shit! herve, dubsided s latest signing, is a hot new producer from west london. this debut release is just a taste of his funked-up jackin style - a perfect fit for the dubsided sound. a1 what you need the most: flitting from drum and bass-style drops, catchy vocal chops and the all-important pounding groove, all glued-together with a oizo-like attitude. b1 im mo try: the first collaboration between herve and dave taylor under his switch guise. its all about the bassline, taking herve s quirky mood and switchs trademark rumble, resulting in a solid club track. b2 lala land: vintage daft punk-sounding, funky as fuck with some deft eq ing. sounds absolutely stunning on vinyl and is perfect for people that like to drop the tempo in their sets but maintain the energy

franklin de costas drittes release >galina< auf trapez ltd ist ein weiterer eleganter schritt in die dj welt aus clever programmierten beats und selbst generierten sounds

allan banford is combining his technological experimentalism with infectious electr-tech beats, catchy tribal rhythms, deep funky basslines, crazy percussions and captivating electronic sounds to the fullets on this ep

treibende und pumpende sounds zeichnen diese platte aus, hier geht es streng nach vorne, also nichts für warmduscher!!!!!!!

some wicked classic edmx electro action with help from the venerable yuri suzuki analog sounds and great hi hat action that will blow you away

kung fu fan claude vonstroke offers something very special with seven deadly strokeswhich teases the mind into creating pictures of fighting scenes bruce lee would be proud of. vonstroke s production on this piece is nothing short of spectular sounds with attention to details so precise that you discover something new about the track with each inspection. patrick chardronnets remix builds and builds a deep rich atmosphere by keeping some of the original elements, adding a subtle deep bassline to this irresistibly grooving techno gem and a final magic breakdown that pleases every crowd from barcelona to glasgow

after having released on various labels such as cynosure, circus company, mo s ferry productions, orac or floppy funk, mossa became one of the most refreshing artists of the house and techno scene. with his current album masterpiece >some eat it raw< (circus company), mossa again shows his uncompromising style of house music. the very burlesque ep on this ever consistent morris audio offshot is his latest proof of the canadien antistatic mircofunk! rhythmically solid and subjective, his sound is made from diverse sources collected here and there causing this composer to effectively transplant arrangements. some minimalist, most of them amusing but rarely symetrical. we can always feel a large range of inspiration in his music : jazz, folk, funk, house, glitch and minimal techno! using an assortment of plastic and static sounds collected here and there, mossa arranges an eclectic bouquet of rhythm and kick! ace!

raphaël ripperton from lausanne started his dj career in 1997. among other clubs, he started spinning at the famous loft club/ lausanne in 2001. in 2003 he produced the winning album of the diesel u music award with >sounds natural< by reasons. in 2005 ripperton was one of the winning remixers for laurent garnier s >controlling the house< remix contest. furthermore he released a record with his project rayon on crosstown rebels, which was used by damian lazarus for his compilation >suck my deck< and by carl craig on the fabric mix 25. today, apart from his rayon project, he is working on a project called lazy fat people, together with mirko loko, which will be released on james holden s famous border community label, beginning of 2006

once again saasfee presents an arist that grows his tracks far away in murmansk. stitched together from various vinylgroove-sounds, the first track on slowstep s >shantage ep< builds his very own atmosphere of the grooveworld over time, with support of dark minimal beats. the b-side comes even deeper with two floating, intense darkgroovetracks with bleepy undertones, growing mercyless over time. this must be the most bass-oriented release to date on saasfee! our top tip!

a mad rockin 3 tracker that gives all the wannabes a lecture in pure energy. without any unnessecary foreplay >pop n puss< gets right into action with a stomach turning bassline, hysteric siren sounds and ass-slapping claps. in good old 3rd bass tradition fakers get the >gas face< - another jittering electro-boogie beatdown - before k alexi shows a little bit of tenderness yet keeps it freaky with the slightly deeper >cybersex<, a viril, climatic percussive pounder with a mysterious synth strings melody. k alexi knows your inner urges and basic needs!!

the dark angel of lan muzic, jacopo carreras, with two tracks full of freaky electro and acid sounds !!

blutrausch ist ein aufmerksamkeit erregender aufprall aus unorthodoxen sounds und minimalen rhythmen. monoton, hypnotisch und unendlich kraftvoll